DPS Thursday Talk ‘Prepping Images For Printing’, presented by Steve Crozier | 360 DPI Printing

360dpi printing brayFREE THURSDAY TALK WITH DUBLIN PHOTOGRAPHY SCHOOL

We are delighted to bring you an evening of ‘Prepping Images For Printing’, presented by Steve Crozier

Steve Crozier runs and owns 360 DPI, one of Irelands top printing and framing studios. Steve has been involved with image presentation for over 20 years. He has printed and framed some of Irelands most prestigious exhibitions. He has produced very small intimate exhibitions, to large scale pieces on show in some of Irelands best museums, along with work on display in some of Irelands top hotels and company buildings.

Time: 7pm
Date: May 16th 2019
Venue: The Carmelite Centre, 56 Aungier Street, Dublin 2

Steve works with some of Irelands best selling photographers producing work for sale to both collectors and some of Irelands biggest companies. As a founding member of Offshoot Photographic society, Steve is actively involved in the camera club photography scene.

R.S.V.P by emailing info@dublinphotographyschool.ie to secure your place
Please book early as places are limited & will fill up fast

 

DPS Thursday Talk ‘The Wonders of the Night Sky’, presented by Ian Carruthers.

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We are delighted to bring you an evening of Astro Photography,
‘The Wonders of the Night Sky’, presented by Ian Carruthers.

Ian has a BSc in Mathematical science and has had a strong passion for photography since 2012. His main areas of interest being landscape, severe weather and astrophotography. He has been to America to study/chase severe storms including tornadoes, to the Isle of Skye to experience its stunning landscape, Iceland for the aurora borealis and to Tenerife to witness  the night sky in a prime dark location.

Time: 7pm
Date: January 10th 2019
Venue: The Carmelite Centre, 56 Aungier Street, Dublin 2

Ian has had work featured in various forms of media including books, exhibitions and more recently got to tick off a long-time goal of his in which he won featured image of the month in BBC’s Sky At Night Magazine. He strives to get people interested in the outdoors and more especially, the night sky. Check out some of Ian’s photography on Instagram, @irishskies or over on his Facebook page, Ian Carruthers Photography

R.S.V.P by emailing info@dublinphotographyschool.ie to secure your place
Please book early as places are limited & will fill up fast

A BIG SUCCESS – DPS Thursday Talk ‘Getting More From Your Tavel Photography ’

A BIG THANK YOU TO EVERYONE WHO ATTENDED THIS FANTASTIC EVENING OF  TRAVEL PHOTOGRAPHY.

The December 6th Thursday Talk at DPS HQ was a full house with over 70 people in attendance. This talk was co-hosted by DPS’s own Stewart Kenny and Steven Maybury with fascinating insights into their unique approach to travel photography, the night was a fantastic success and we would like to thank all who attended. See you back at the school again very soon.

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FREE THURSDAY TALK
GET MORE FROM YOUR TRAVEL PHOTOGRAPHY

We are delighted to bring you an evening of Travel Photography, ‘Using Travel Photography As A Means of Exploration’, presented by DPS tutors & travel photography guides, Stewart Kenny & Steven Maybury. While on location, Stewart & Steven combine two passions, photography & travel, which helps them to have unforgettable experiences & produce stunning imagery. During this instructive talk, they will explain their approach to travel photography & how they use the camera as a tool of communication, exploration & engagement. You will come away with new travel photography concepts to think about.

Time: 7pm
Date: December 6th 2018
Venue: The Carmelite Centre, 56 Aungier Street, Dublin 2

A full range of all upcoming 2019 photography holidays will be showcased on the evening

Stewart & Steven are both experienced travel photographers & have lead numerous TDactive Holidays & Travel Department photography tours. Their recent adventures include India, Morocco, Romania, Montenegro & Iceland.  Both are extensively travelled & have been exhibited both nationally & internationally

R.S.V.P by emailing info@dublinphotographyschool.ie to secure your place
Please book early as places are limited & will fill up fast

Pro Foto Ireland – Come See Dublin Photography School

pro foto ireland 2018 - dublin photography school

Dublin Photography School are delighted to be taking part in Pro Foto Ireland this autumn. PRO FOTO IRELAND is Ireland’s first and longest running Photography & Imaging Trade Show. It has had many changes over the years, including in more recent years, new and international Trade Exhibitors who have been invited to participate.

As part of this fantastic event, DPS will be running a ,seminar short’ on using DSLR for video, presented by DPS tutor Tadhg Conway. There will be four other seminar shorts throughout the day.

 

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What Happens during our Seminar Short:  Get a clear snapshot of what our 1 day DSLR Video course is all about and what tips and direction you can pick up. If you’d like to start shooting Video a little more seriously on your DSLR then our DSLR Video course is something you should consider. This one-day course is designed to show you the basics in shooting video on your DSLR with a view to editing, taking in colour, lighting, sound, framing, moving your camera and everything you need to know to start you thinking like a camera operator. An understanding of exposure (Aperture, ISO & Shutter Speed) and White Balance is required to sit the course.
pro photo ireland - dublin photography school

Also exhibiting at Pro Foto this year

Fotospeed
Nphoto
Sim Imaging
Epson
One Photographic
sim imaging
Canon
Olympus
Lacie
Fujifilm
OBF insurance
Griffit College
to name but a few…..

 

pro photo ireland - dublin photography school pro photo ireland - dublin photography school pro foto dublin

 

 

 

 

 

DPS Thursday Talk presented by Stewart Kenny – ‘An Introduction To Film Photography’

FREE THURSDAY TALK WITH DUBLIN PHOTOGRAPHY SCHOOL

Dublin Photography School are delighted to invite you to an evening presented by Stewart Kenny – ‘An Introduction To Film Photography’

film photography courses dublin Have you ever wanted to try your hand at film photography but didn’t know where to start? Does it all seem a little too bewildering ? Let us introduce you to film photography. Throughout the evening, Stewart will introduce you to the different types of film, process and cameras, as well as fun and the creative practices of Lofi- photography and Lomography.

Time: 7.30pm
Date: February 8th 2018
Venue: The Carmelite Centre, 56 Aungier Street, Dublin 2.

 

Stewart has exhibited both nationally and internationally. He has a huge passion for photography and loves nothing more than to teach others how to achieve the perfect image. He is the head of training at Dublin Photography School and gives talks and seminars about various genres of photography around Ireland. You can visit his website at www.stewartkennyphotography.com

R.S.V.P by emailing info@dublinphotographyschool.ie to secure your  place
Please book early as places are limited & it will fill up fast

Mirrorless Camera Courses Dublin – With Dublin Photography School

Mirrorless camera photography courses ireland With recent upsurge in popularity of Mirrorless cameras with brands like Olympus, Fuji, Sony, Canon & Nikon all producing various Mirror-less Cameras models that are taking the photography world by storm. Dublin Photography School are delighted to announce that we have been on trend the last 18 months and that our staff and trainers have been fully trained and up to date on the latest mirror less cameras. while Mirrorless cameras work in principal nearly identically to DSLR cameras and are interchangeable, there are several areas such as camera lag, focus times, print size, aspect ratio, battery life, EVF etc, that require a slight modification of technique to get the most out of your camera. The entire crew here in DPS have been working and traveling with Mirror less cameras from all brands and companies for the last year making sure we are on point with the latest technologies and everything that this exciting innovation have to offer.

Our 7 Week Beginners Photography Course, 5 Week Follow On Photography Course and 1 Day Beginners Photography Course have all been modified to cater for Mirrorless users and cover all camera brands. While still being geared toward photography principals that will allow our students to use any given camera from, camera phones and compacts to DSLR and Mirrorless technology.

If your interested in learning more about Mirrorless cameras, why not check out Dublin Photography School Snapshot; Which has it the first half of the Podcast dedicated to mirrorless cameras.

 

DPS Camera Guide – Picking The Right Camera For Your Needs

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Buying your first camera or even upgrading to a new one  for that matter can be a bit of a mine field. This is not helped by going online to have a quick look aT options, only to be absolutely frazzled by the amount of jargon, abbreviations, techno-babble, brand fan-boys and add an healthy dose of pixel-philes, and the whole experience will leave your head spinning. Here at DPS we have decided to put together a simple list to different guides that help you put together the best camera for your needs. We have decided to leave aside brand (most brands are created equal and generally it comes down to preference) and focus on the main camera “types”, starting at the very bottom and working up in terms of functions and features.

 

Smartphone (Camera Phone)

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You won’t need too much of an introduction to smartphones, chances are, you are reading this on one right now.  So, is the camera on your phone any good? The short answer is…YES! but LIMITED! Many a seasoned photographer dimisses the camera phone as a toy, however for many this is their first introduction to the world of photography. While the iPhone, Android  or Windows smartphones are fantastic for learning and practicing composition, most photographers will quickly outgrow them and find them very limiting after a while. This is where most people will decide to upgrade or buy their first “Real” camera. In saying that, if you want to get more out of your smartphone photography have a look at our Smartphone Workshop Here.

Pros: Small, mobile, always on your person & lots of editing apps.

Cons: Limited functions, limited accessories & it is a feature of your phone, rather than the main purpose.

 

Compact Camera

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With the rise of the smartphone, the compact camera is fast becoming an endangered species. The big brands like Canon, Nikon, Sony and Olympus are producing fewer units and models each year. With most Smartphones being able to match them in terms of quality and functions in all but the most advanced compact models.

Pros: Compact, Mobile, Multiple in-camera functions, better battery than smartphones, dedicated memory card so no competing for space on phone & price

Cons: Not much improvement on Smartphone, carrying extra item & although it has more functions than a smartphone, it is still very limited.

 

Bridge Camera

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With the demise of the compact camera, most camera manufacturers have diverted the resources that they once poured into compact cameras into Bridge cameras. So what is a Bridge Camera?  To put it simply, it is  a compact camera on steroids! These cameras are a massive step up from a compact and smartphone camera, however a step down from a DSLR (we will get to that!) These cameras have a lot of the mobility of a compact camera, with some of the power of a DSLR……almost as if it was a “BRIDGE” between the two.  While bridge cameras are fine for most enthusiasts starting out, and even taking a photography course, (as most bridge cameras have manual modes and settings), they will eventually outgrow them, it will take slightly longer than if they had a phone or compact camera, but in our experience in DPS we find most students who complete our basic courses will often look to upgrade from a bridge as soon as they can.

Pros: Compact(ish), lots of features, manual modes, suited to  more “serious” photography &  price.

Cons: Limited aperture range, lens is fixed and cannot be upgraded, limited ISO range & shutter lag( slow to take picture when button is pressed).

 

DSLR (DPS RECOMMENDED)

camera courses ireland

DSLR is an abbreviation for ‘Digital Single Lens Reflex’, in short, this means the camera does not suffer from any noticeable shutter lag. What is Shutter Lag? If using a phone, compact or bridge camera, when you press the button to take a picture, there is a delay between when you press the the button and when the camera actually takes the shot, this is known as shutter lag and can be very noticeable on some cameras and phones and may lead to missing the shot. DSLR cameras come with interchangeable lenses, meaning the lens on the camera can be taken off and switched with another one. This can be used to improve the cameras performance and the type of images the cameras will produce. DLSR cameras are often considered to be of Pro & Semi Pro standards, and although by no means is this accepted by all, they are the staple of enthusiasts and professionals alike. We recommend these and mirrorless cameras (don’t worry we will get to that too) for most of our Photography Courses and Photography Workshops.

Pros: Full of functions and features, sturdy, high image quality, interchangeable lenses, accessories, good low light performance & no shutter lag.

Cons: Bulky, can be expensive & requires semi regular cleaning.

 

Mirrorless Cameras (DPS RECOMMENDED)

olympus mirrorless camera Ireland

These are often called four third cameras, but this is a bit of a misnomer these days……when these cameras where first introduced about 10 years ago, they were dismissed as a fad by a lot of photographers and at the time the technology just wasn’t up to snuff. However in recent years there has been major innovations from (for example) Fuji and Olympus in this area and they have not only come into their own, but have massively excelled. These cameras have all the power of DSLR’s but are about half the size and weight, making them super compact. However, because of the absence of the “lens reflex” the LR part in a DSLR, these cameras suffer from noticeable shutter lag, while not as bad as a phone, compact or bridge, it still isn’t as good as a DSLR, but is improving all the time. These cameras are also hard on battery life and have reduced image quality, however we feel that for travel and street photography they are unmatched. Check out our DPS Snapshot Photography Podcast, on the rise of the Mirror less camera here.

Pros: Compact, full of functions and features, sturdy,  interchangeable lenses, accessories & good low light performance.

Cons: Shutter lag, can be expensive & often only medium image quality.

 

Full Frame DSLR

canon photography courses ireland

If you are just starting out in photography…forget it! Get the techniques right first, then get the technology. If you are thinking about going full frame from a DSLR, remember that everything gets bigger – the price tag on lenses, camera bodies, filters, processing power and so on. You need to do your homework if you are considering purchasing one. Your current accessories may not be compatible with your new full frame camera. Pay particular attention to your lenses as they may not be compatible. If your reaching this point in your photography, then for most it is a milestone, as most “serious photographers” will eventually move to full frame. With  photography and the whole photographic industry changing so rapidly this may not be the case in a few years time. If you plan to work professionally or semi professional then this may be the upgrade you need, depending on the genre you are working in.

 

Pros: Professional functions and features, sturdy, high image quality, interchangeable lenses, accessories, good low light performance & no shutter lag.

Cons: Bulky,  expensive, require regular cleaning & not backwards compatible.

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Check Out Some Of Our Beginners Photography Courses

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DPS Bites: Black & White Photography

5 Tips For Better Black & White Photography

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Black & white photography is an art form in itself, it can be considered by many to be the pinnacle of photography, as often you have to do so much more with less. Aside from it’s own unique aesthetic, black & white, depending on how it is used, can make an image striking & hard hitting & can also be used to romanticize images, while allowing the photographer to experiment with moods & feels that are easy to communicate as they are not watered down or obstructed with colour.

Know When To Shoot Black & White:

improve your black and white photography

This is one of the more simple considerations & one that is often over-looked. Ask yourself what makes a good black & white image? A technical breakdown would see the image broken into shape, form, texture, tone, contrast & pattern,  but this can be answered very easily by any photographer looking at a scene. Next time when looking through your viewfinder & wondering if this image would look good in black &  white, ask yourself , what is the most striking thing about this view? If colour is the first word that pops into your head, then more that likely it is a black & white image.

Texture Is King:

texture in black and white photography

Have you ever noticed how anything old tends to look great in black & white? This is mainly for two reasons, the first one is, this is a stylistic choice, old things look “authentic” in an old fashioned medium, however also things that are old tend to have some city miles on them & are often covered in scratches & dust. These objects or scenes look great in black & white becuase there are ‘textures’ in the absence of colour. A strong texture will add a striking tactile quality to your image. Have a look at some black & white images online & you will see strong textures in a lot of them.

Toning:

toning in black and white photography

Very few images are what we call ‘true black & white images’. Even in the days of printing in a darkroom, there was no such thing as a truly neutral print, as the age of the paper & chemical would cause a slight colour cast. With that in mind a lot of impact can be added using toning. Adding a single colour to your image to warm or cool it, can have a dramatic impact with it’s mood and feeling. So, experiment away in lightroom, aperture,  photoshop or whatever editing software you use.

Shoot in Colour & then Convert:

black and white conversion techniques

A lot of people think they are being purists by photographing black & white in camera, however in reality they are doing themselves a terrible dis-service. This setting on your camera only records the the luminosity information & uses 256,000 shades of grey to render the image. While this sounds like a lot, it is actually a tiny amount of information, which means your black & white image with will come out more grey, dull or muddy. Shoot in color & convert in a program like photoshop or silver efex for maximum tonal range.


Shoot in RAW:

adobe camera raw photography course

This is not just a Black & white tip, but a photography tip in general. Every image can benefit from being shot in Raw format. There is a host of technical reasons as to why, however suffice to say it makes a massive difference to the contrast & tonal range of the image, as well as allowing maximum flexibility in processing & printing the image. You will need to have a program to convert your raw images to JPEG’s before you can print them.

Bonus Tip:

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Why not come along to a Black & White Photography Workshop  with DPS. While it is not exactly a tip, it will teach you all the skills you need to know to kick your black & white photography to the next level!

 

DPS Bites: Night Photography

5 Tips For Better Night Photographs

night photography courses dublinNight photography is a massive genre & can cover a huge range of subjects from astro photography & light painting, to landscapes taken under moonlight, traffic light trails & everything in between. Each one of these specific styles has it’s own rules & techniques that are popular among there practitioners, however this article is aimed at the beginner venturing out at night to photograph things like cityscapes with light & traffic trails. So, if you have just managed to get you head around ISO, F-stops & Shutter Speeds, then you will be well on your way to nailing down traffic trails & night cityscapes.

Use A Tripod:night photography dublin

Like any good landacape shoot, night photography starts with a tripod. When using a tripod you are able to keep your camera steady & can use much longer shutter speeds without camera shake. The longer your shutter is open, the more chance you will have of creating traffic trails & turning any movement into ghosting.  Tripods range in price & quality &  finding the right one for you may requirs some decent research. Two tripods that Dublin Photography School recommend are, the  Hahnel Triad Lite 60 Tripod & Manfrotto Compact Action Tripod . You can order them here (cheeky plug). When looking for a tripod it should satisfy a very simple requirement ….it has to be stable enough to keep your camera steady, after that, material, style, height, head & brand are a matter of personal preference.

Use A Low ISO:

Something that surprises many newbie photographers is using a low ISO….they have learned that a high ISO is used in dark & low light conditions & yes that is generally true (if you are shooting hand held at night), however since you went to all the hassle of dragging your tripod into town, you might as well achieve the best reuslts by using a low ISO. Your image will have less noise & less grain, & by creating longer shutter speeds you will add more creativity to your shot.

White Balance:

awb night photography

Most cameras by default are set to AWB (automatic white balance) & while this does a good job for about 99% of scenes, it will struggle to get colours correct at night, as the scene will be lit by multiple light sources, for example headlights, neon lights, traffic lights & street lights. This can easily confuse any camera system. The solution is simple however, you can change the white balance in your camera to match the scene. Try setting your camera to ‘Incandescent or Tungsten’ to eliminate that strong orange colour in your night images. Make sure to set it back to AWB when you are finished night shooting.

Try Using Manual Focus:

Many cameras will struggle to achieve focus in low light situations & how much it will struggle will depend on a couple of things. Firstly, how well lit up the scene is & the second is the camera model itself. To get around this & to make sure you have full control of your image, try turning on your camera’s manual focus & adjust the focus to the most prominent subject of interest in your scene. If you are not sure, simply focus one third of your scene as this will put a large amount of your scene into clear focus. Again remember to turn back on your ‘auto focus’ when finished, as it may result in all your images being out of focus when photographing later if you don’t.

Turn Off VR, IS, OS or SS:

night photography tripod

Image stabilization systems are designed for producing sharper handheld shots by utilizing tiny motors that cancel handshake & barrel vibration. This works fantastically & should always be left on when shooting handheld, however when used with a tripod, these motors  can actually cause the image to be slightly softened & look unsharp. So, remember switch it off while you have it on a tripod & then turn it back on once you have finished shooting.

Bonus Tip:

travel photography courses dublin

Why not  join the 7 week Beginners Course  at Dublin photography School. It includes two on location night shoots.

 

DPS Bites: 5 Tips For Better Night Photography

5 Tips For Better Night Photography

night photography courses dublinNight photography is a massive genre & can cover a huge range of subjects from astro photography & light painting, to landscapes taken under moonlight, traffic light trails & everything in between. Each one of these specific styles has it’s own rules & techniques that are popular among there practitioners, however this article is aimed at the beginner venturing out at night to photograph things like cityscapes with light & traffic trails. So, if you have just managed to get you head around ISO, F-stop & Shutter Speeds then you will be well on your way to nailing down traffic trails & night cityscapes.

Use A Tripod:night photography dublin

Like any good landacape shoot, night photography starts with a tripod. When using a tripod you are able to keep your camera steady & can use much longer shutter speeds without camera shake. The longer your shutter is open, the more chance you will have of creating traffic trails & turning any movement into ghosting.  Tripods range in price & quality, &  learning about them requires some decent research. Two tripods that Dublin Photography School recommend are, the  Hahnel Triad Lite 60 Tripod & Manfrotto Compact Action Tripod . You can order them here (cheeky plug). When looking for a tripod it should satisfy a very simple requirement ….it has to BE stable enough to keep your camera steady, after that, material, style, height, head & brand are a matter of personal preference.

Use A Low ISO:

Something that surprises many newbie photographers is using a low ISO….they have learned that ISO is used in dark & low light conditions & yes that’s generally true (if yoy are shooting hand held at night), however since you went to all of the hassle of dragging your tripod into town you might as well achieve the best reuslts by using a low ISO. Your image will have less noise & less grain & by creating longer shutter speeds you will add more creativity to your shot.

White Balance:

awb night photography

Most cameras by default are set to AWB (automatic white balance) & while this does a good job for about 99% of scenes, it will struggle to get colours correct at night as the the scene will be lit by multiple light sources, headlights, neon lights, traffic lights & street lights. This can easily confuse any camera system. The solution is simple however, you can change the white balance in your camera to match the scene. Try setting your camera to ‘Incandescent or Tungsten’ to eliminate that strong orange colour in your shots. Make sure to set it back to AWB when your done.

Try Using Manual Focus:

A lot of cameras will struggle to achieve focus in low light situations & how much it will struggle will depend on a couple of things, first off, how well lit up the scene is & the second is the camera model itself. To get around this & to make sure you have full control of your image, try turning on your camera’s manual focus & adjust the focus to the most prominent subject of interest in your scene. If you are not sure, simply focus one third of your scene as this will put a large amount of your scene into clear focus. Again remember to turn back on your ‘auto focus’, as it will result in all your images being out of focus when shooting later if you don’t.

Turn Off VR, IS, OS or SS:

night photography tripod

Image stabilization systems are designed for producing sharper handheld shots by utilizing tiny motors that cancel handshake & barrel vibration. This works fantastically & should always be left on when shooting handheld, however when used with a tripod, these motors  can actually cause the image to be slightly softened & look unsharp. So, remember switch it off while you have it on a tripod & then turn it back on once you have finished shooting.

Bonus Tip:

travel photography courses dublin

Why not  join the 7 week Beginners Course  at Dublin photography School. It includes two on location night shoots.